March 2008 - Posts
Barack Obama gave an address in Fayetteville, North Carolina on Iraq and America's national security.

By
Chris Foresman
| Published: March 19, 2008 - 12:43PM CT
A report by the Financial Times
(registration required) cites unnamed executives who say that Apple is
in talks with record labels to offer access to the entire iTunes music
library for a lump sum price. The fee would be added as a premium
option on an iPod or iPhone, or it could come as a monthly charge. It
would allow downloading of any song at any time so long as the
purchaser still owns the device, and the songs would be yours to keep.
This latest concept is similar to Nokia's "Comes With Music"
program set to launch later this year. Nokia is reportedly rolling an
$80 fee into the price of compatible phones for one year of access to
Nokia's music store, which includes music from labels like Universal.
Apple's plan is different in several respects. Since the average
iPod owner buys about 20 tracks from the iTunes, Apple wants to make
the premium about $20, arguing that it should cover the average
consumer's downloads. Then the owner can make unlimited music downloads
from the iTunes Store for the life of the device. Once downloaded, the
tracks are yours to keep, even if you get rid of the original iPod or
iPhone. And since iPod and phone owners tend to replace devices fairly
regularly, the record labels would be getting the fee whether or not
the consumer makes any further downloads. Silicon Alley Insider did the math and thinks it's a good deal all around. But according to the Financial Times' sources, the labels are looking for numbers closer to the $80 Nokia is reported to be paying.
There's still the question of DRM, however. Even though the tracks are
yours, any non-iTunes Plus tracks will still be beholden to FairPlay restrictions,
so this could also be a good way to lock consumers into repeat Apple
purchases (unless they're willing to have their music tethered to their
computers). The Nokia plan use Plays For Sure, which won't play for
sure on iPods or even Zunes, and Comes With Music doesn't allow you to
keep listening to tracks once your subscription period has expired
While Apple's program certainly sounds like it could go over well with
consumers, the negotiations are not over. Apple will need to get all
the labels on board for the plan to work. If we've learned anything
from recent music licensing debates, it's that they are contentious.
How much do the songwriters deserve? What should be the labels' share?
In addition, the labels are sure to want a plan that increases their
revenue, rather than a plan that simply compensates them for what the
average iPod owner already pays.
[ read more... ]

The guitar company claims that the Activision Inc. game violates a patent they own for a virtual reality music system.
By Alex Pham, Los Angeles Times Staff Writer
March 13, 2008
Gibson Guitar Corp., which once harmoniously licensed its name to the
blockbuster "Guitar Hero" video games, is strumming a different tune.
Nashville-based Gibson claims that Activision Inc.'s "Guitar Hero"
violates a 10-year-old patent Gibson owns for a virtual reality music
system. Activision says that isn't the case and in a lawsuit filed
Tuesday in Los Angeles asked a federal judge to settle the matter.
"We believe their claims will not withstand any objective
scrutiny," George Rose, Santa Monica-based Activision's general
counsel, said in a statement.
In a Jan. 7 letter to Activision, Gibson attorney F. Leslie Bessenger
said the video game producer was "taking advantage of Gibson's patented
technology without properly compensating Gibson."
Gamers who play "Guitar Hero" use wireless controllers shaped like
guitars -- most of them modeled after famous Gibsons -- jamming along
with animated on-screen musicians.
Activision pays an undisclosed amount for Gibson's trademark under a
license agreement. It is unclear when that agreement expires.
"Gibson clearly believes the patent could be worth a lot more than the
royalties the company is already receiving from Activision," said Colin
Sebastian, an analyst with Lazard Capital Markets.
The Gibson patent, granted in November 1999, outlines a system that
simulates a concert experience with a head-mounted display with
speakers, an eight-channel mixer, a DVD player and a guitar.
Activision's suit says Gibson forfeited its rights by failing to raise the patent issue earlier.
"Gibson has been aware of the 'Guitar Hero' game for many years," the
suit says, and "encouraged Activision to manufacture and sell devices
it now alleges infringe the . . . patent."
[ ]
The godfather of gonzo says 9/11 caused a "nationwide nervous
breakdown" -- and let the Bush crowd loot the country and savage
American democracy.

By John Glassie
Feb 3, 2003 | He calls himself "an elderly dope fiend living out in the wilderness," but Hunter S. Thompson
will also be found this week on the New York Times bestseller list with
a new memoir, "Kingdom of Fear: Loathsome Secrets of a Star-Crossed
Child in the Final Days of the American Century."
Listening
to his ragged voice, there is some sense that Thompson, now 65, has
reined in his outlaw ways, gotten a little softer, perhaps a little
more gracious now that he's reached retirement age. "I've found you can
deal with the system a lot easier if you use their rules," he says. "I
talk to a lot of lawyers."
But do not be deceived. In
"Kingdom of Fear" and in a telephone interview with Salon from his
compound in Aspen, Colo., Thompson did what he's always done: speak the
truth about American society as he sees it, without worrying much about
decorum. "Who does vote for these dishonest shitheads?" he
writes, referring to the people currently occupying the White House.
"They are the racists and hate mongers among us -- they are the Ku Klux
Klan. I piss down the throats of these Nazis."
That's his enduring attitude in this new age of darkness: a lot more loathing than fear.
The
godfather of gonzo believes America has suffered a "nationwide nervous
breakdown" since 9/11, and as a result is compromising civil liberties
for what he calls "the illusion of security." The compromise, he says,
is "a disaster of unthinkable proportions" and "part of the downward
spiral of dumbness" he believes is plaguing the country.
[ now ya gotta read more... ]